Vitaly Lviv Painting work - drawing painting structures on the surface of buildings and structures in order to increase their service life, improve sanitation in the premises and give them a beautiful appearance. Every year interior space is becoming sleeker, increased requirements for architectural expression, internal and external design of buildings, quality of finish. Meet these requirements new efficient, economical repair materials - new synthetic varnishes, lacquers and paints, particularly water-based and silicone. It would seem to paint a wall - it is not difficult. However, the painting requires very careful preparation of the wall to the repairs: Paint will not hide any cracks or irregularities or any other defects in the wall. In addition, there are many ways of applying the paint, depending on which improves the appearance and color last longer. Clean painted surfaces depends on the quality of operations performed and the sequence of works. In the high-quality color unacceptable tiny grains in the paint. Paint work need different brushes, rollers, spatulas, rulers. When painting works use different colors on the composition of: adhesives, lime, oil, enamel, and others. All paints contain various binders, pigment and auxiliary substances. Value of parts in paint is not by chance, so adding some substance at random, such as solvent, instead of improving the quality of the painted surface can lead to its reduction. Typically, paint is sold as a finished product. If you want to dilute it, add to only the most necessary amount of solvent, otherwise the paint will flow, especially on vertical surfaces. If the paint in the bank was covered with foil, in any case it can not stir, but caution should be cut with a knife as close to the shell banks, and remove it. If you remove the film completely fails, it is desirable to filter the paint. For this purpose, commonly used nylon stocking that covers the hole clean empty jars. There is a common system of notation paints, which are a reflection of their properties, application, operating conditions - a kind of compass in a vast sea of ??varnishes and paints. Paintwork group on mainly intended purpose and in relation to the conditions of coating paint materials are divided into groups: Weatherproof, partially weatherproof, safety, conservation, water-resistant, special, oil and petrol resistant, chemically resistant, heat resistant, electrical insulation. The classification takes into account the type of film former, which, for brevity denoted by two letters. Lacquers, enamels, primers and sealers are available based on different resins: polycondensation, polymerization, and natural, on the basis of cellulose ethers. Varnishes based on polycondensation resins: alkidnouretanovye - (AU) glyptal - (GF), silicones - (KO), melamine - (MLS), urea (carbamide) - (MCH), pentaphthalic - (PF), polyurethane - (SD ). Polyesters: unsaturated - (PE), saturated - (III), phenol - (PL), fenoloalkidnye - (FA), cyclohexane - (TG), epoxy - (EP), epoksiefirnye - (FE), etriftalevye - (ET). Coating materials based on polymerized resins: rubber - (CN), oil - and alkidnostirolnye - (MS), petroleum - (NP), perchlorovinyl - (HV), polyacrylate - (AK), polivinilatsetalnye - (VL), polyvinyl acetate - (BA ). On the basis of copolymers: vinyl acetate - (BC), vinyl chloride - (CH), Teflon - (PT). Varnishes based on natural resins: Bitumen - (BT), rosin - (CF), oil - (MA), shellachnye - (SHL), amber - (JAN). Coating materials based on cellulose ethers: atsetobutirattsellyuloznye - (AB), cellulose acetate - (AC), nitrattsellyuloznye - (NC), etiltsellyuloznye - (EC). Marking paints paints and varnishes are assigned to each name and designation, consisting of letters and numbers. Marking paints consists of four pigmented materials - of the five groups of characters. The first group refers to the paint material and written word - varnish, paint, zmal, primer, putty. The second group specifies the type of film-forming substance, designated by two letters mentioned above - MA, FS, ML, etc. (enamel MLS ...; lacquer PF ...). The third group indicates the advantageous conditions of exploitation of paint material, identified by a single digit from 1 to 9. Between the second and third groups of characters hyphen (enamel ML-1 .., lacquer PF-2 ...). The fourth group - the ordinal number assigned to paint materials in its design, denoted by a meaningful one, two or three digits (ML-1110 enamel, lacquer PF-283). The fifth group (for pigmented materials) specifies the color of the paint material - enamel paints, primers, sealers - a complete word (enamel ML-P 1.0 gray-white). With the designation of the first group of signs for oil paints, containing in the structure only one pigment, instead of the word "paint", name the pigment, such as "minium", "Mummy," "protection", etc. (Minium of MA-15). For a number of materials between the first and second group of signs put indices: B - without volatile solvent B - for water-based HP - for water dispersion OD - for organodispersionnyh P - for powder A third group of characters for the primers and semi-finished varnishes designate a single zero (primer GF-021) , and for fillings - two zeros (Filler PF-002). After the hyphen before the third group of signs for oil paints gustotertyh put a zero (minium MA-Q15). For coating materials obtained in the mixed film former, a second group of characters to denote the film-forming, which determines the properties of the material. In the fourth group of characters for oil-based paints instead of the ordinal numbers put the figure pointing at a drying oil paint is made: natural linseed oil, linseed oil "Oksol" glyptal linseed oil, linseed oil pentaphthalic combined drying oil. In some cases, to clarify the specific properties of the paint after the serial number put the alphabetic code in the form of one or two capital letters, for example: In the - high viscosity, M - Matte, H - with a filler; PM - semi-matt; PG - low flammability, etc . All necessary for a consumer paint to the information contained on the label, which gives the full name of the material indicating the State Standard or specification, its purpose, method of application, precautions, manufacturer, manufacturing date and batch number. The label is a very important part of the packaging material of paint. Not always valid claim to the bank necessarily was made of lithographed metal. Colorful, made on good paper label in the artistic and aesthetic sense is not inferior to lithography. Entering the sale of imported paints and varnishes for the most part equipped with a paper label. It is important that it be clear, readable text, the necessary warning signs and markers. Decoration of labels may carry additional information to help in promoting products. The label should be clean and undamaged. Consumers are entitled to demand an exchange package, if the label on it is damaged. When choosing paint, first of all need to come from how persistent the operation should be covering, consider it a decorative look and do not forget about the cost. Differences paint colors for interiors and exteriors vary in resistance to rain, sun and temperature variations. Paints, which are designed for outdoor use, if necessary can be used for interior decoration. The choice of a paint depends on what type of facilities needed to produce the finish - a simple, enhanced, or high. Paints on mineral binders are designed for easy finishing stone, concrete and plastered walls for painting swimming pools, wells and fences. They give a loose breathable coating well withstand the effect of water, particularly cement-based paint, and changes in temperature. Glue paints trim plastered, concrete and wood surfaces, and casein are suitable for both exterior and for interior works. Paints on dextrin, starch, and bone glue can be painted with only the walls and ceilings indoors. An important advantage of adhesive paints is their porosity: coverage of them do not interfere with air exchange through them easily evaporates moisture, which can be formed on a damp wall or ceiling. The best are paint and enamel on synthetic binders or drying oil, used for high quality finishing. Among them there are suitable for both exterior and for interior works, and intended only for internal works. They can give matte, glossy and semi-gloss coating. Some of them form a continuous coating (eg, alkyd), others (such as water-based) - porous. Paint, which form a continuous coating, are unsuitable for wet or damp walls, and alkyd also not resistant to alkali, and therefore they can not be painted svezheoshtukaturennye or concreted walls. Oil paint on properties close to the paint on synthetic resins. They form a non-porous coating is not resistant to alkalis and moisture. Painter's Tools Makhov brush. Produced mostly large - d 60 and 65 mm with the long hair of 100 mm. To choose a good brush, you should check it on the fold - bending the hair must be straightened immediately, leaving no visible curvature. Brush in the shape of the beam, requiring a special binding, called the weight, the brush holder with a handle - stick. Weighted wrist after a garter strong string pushed onto the long stick-pin. Any brush tied, because long hair is bad to feather the paint and creates a lot of streaks. Therefore, painters, professionals believe that to glue stains nepodvyazanny hair should be 7-9 cm in length, for oil and enamel - 5-7 cm Pobelochnye brushes have a width of 200 mm, thickness - 45-60 mm, length of hair - 100 mm. These brushes in 2,5 times more productive than primaries, and give a more pure color. Sometimes used instead of pobelochnoy brush - ceiling brushes that are made from poluhrebtovoy bristle with 50% horse hair. In shape they are round (diameter of 120 and 170 mm, with long bristles 94 -100 mm) or rectangular. Handle ceiling brushes mounted in the middle of the shoe or is removable with screws. Ceiling brushes perform work with ladders or on the floor. Ceiling brushes and brush pobelochnye recommended for glue and casein paint. Paint, brushes made pobelochnymi or ceiling brushes do not require fleytsevaniya. Towels. Are small and sit down to a short wooden handle. They are made of pure bristle, and with the addition of horsehair. Produced towels d - 26, 30, 35, 40, 45, 50, 54 mm. Towels tied with string, which, when worn brushes, move, increasing the length of hair. The length of the remaining hair should be no more than 30-40 mm. Towels are used for painting the glue and oil paints small areas. Towels of soft bristles, fixed in metal rings, suitable for any work. If the bristles are fastened with glue, then brush should not be used for coloring glue and lime paint formulations. Fleytsy - flat brush width 25, 60, 62, 76 and 100 mm, made of high quality bristle or badger hair, set out in the metal frame that fits over a short wooden handle. Fleytsy used primarily for smoothing the freshly applied paint that is to destroy traces of the centrifugal brush or handbrake. Fleytsy can also be used for coloring. Trimming are rectangular and made of hard bristles. Their primary function - processing New painted surface. Facing applied evenly strikes, smoothing uneven paint. Typically, the ends of glue and oil paint. Filenochnye brush produced d from 6 to 18 mm and are made from white stiff bristles clamped in a metal-rimmed cartridge. Chucks are mounted on wooden handles of varying lengths. These brushes are designed for pulling narrow strips, called panels, or for painting hard to reach places, which does not pass the handbrake. For painting radiators produced special radiator brush with a curved handle at the base. For many indicators rollers much easier and more productive hands. In particular, when painting large areas. In addition, the rollers can not just paint, but primed. Depending on the works produced are used rollers of various sizes: diameters from 4 to 7 cm in length from 10 to 25 cm are most commonly used fur, foam mats and cushions. In preparation for the work of fur cushion for a little while to sink in the water - this will decrease the stiffness of hair covering. However, be aware that fur cushion is not recommended when working with lime colors - lime very quickly destroys the fur. Upon completion of the work rolls necessarily washed in warm soapy water, completely removing the paint. When the technology of painting works need to have on hand a variety of supporting materials: plaster to seal cracks and fix defects in the surface, the solution for the repair of plaster or flyuatirovaniya stains and plaque on the surface of masonry chimneys, degreasing, adhesive for closing the sites are not subject to color, and etc. A single-layer coating does not provide sufficient protection to the base, so you need to consistently apply a few coats of paint, each of which performs its functions. The lower layer is used for multi-layer coating adhesion to the base. Nakryvochnyh layer, the final paintwork, protect lower layers from external influences and performs a decorative function. If oil paint applied in a single layer, the surface is wrinkled, and over time it will crack. The number of layers depends on the type of paint, the required quality of surface and form the base. Adhesive paint is applied in two coats, latex - in three, and some gloss varnish - in six or more layers. Each successive layer should contain more pigment and less binder. For example, an emulsion of primers greatly diluted with water, and for nakryvochnyh layer is not diluted. Before proceeding to the painting, it is necessary to prepare the ground. The surface should be cleaned of dirt, rust, grease, and in addition, dried (this is especially true for wood surfaces). If the pores of wood will be water, there will not penetrate the paint. She will lie on the surface, and then fall off. If the wood surface is dry and moist inside, when heated by sunlight and other impacts of water vapor pressure will be lower on the colorful cover and rip it. To get a quality paint coating is not necessary to paint with low or too high temperatures, as well as in the sun, in the draft, in fog and light rain. During painting operations temperature must be below 5 C. The brush when painting held a slight slope to the surface. In paint it dipped, dipping not completely, but only a quarter of the length of hair, excess paint from the brush was removed on the edge of banks. Initially, the paint is applied to the face, the corners and inaccessible places and only later on smooth surfaces. When the surface to above the head, often dripping paint on the handle of the brush. To prevent this from happening, you can take an old rubber ball, cut it in half and one-half of the cuff handle brush. To the ball does not come off with a stick under it strengthens the gum. If there is no ball on the handle worn glassine range 5-7 cm in diameter when cleaning the ceiling, if it had not been painted, first of all remove the old Anew. Anew small can blur the hot water using a brush and rags, and fat needed to scrape with a scraper when dry. You can pre-moisten it with hot water using a brush, and after 40 minutes remove with a scraper or spatula. Scraper or a spatula at an angle to the surface and lightly pressing the tool moving forward remove the layer of Anew. Likewise removing spray solution, layering of paint and other contaminants. Cracks in the ceiling and walls must first expand and then grease the appropriate staff. Of bedding produce a spatula, closing up with this not only embroidered with cracks, but also sinks and troughs, which are on the surface. After drying, place grease and grind podgruntovyvayut. Although the kinds of painting in recent times is a growing application of paint roller or by spraying guns in the home, yet enjoy the brush. Brush must prepare - promyat it between your fingers and blow.
Vitaly Lviv Painting work - drawing painting structures on the surface of buildings and structures in order to increase their service life, improve sanitation in the premises and give them a beautiful appearance. Every year interior space is becoming sleeker, increased requirements for architectural expression, internal and external design of buildings, quality of finish. Meet these requirements new efficient, economical repair materials - new synthetic varnishes, lacquers and paints, particularly water-based and silicone. It would seem to paint a wall - it is not difficult. However, the painting requires very careful preparation of the wall to the repairs: Paint will not hide any cracks or irregularities or any other defects in the wall. In addition, there are many ways of applying the paint, depending on which improves the appearance and color last longer. Clean painted surfaces depends on the quality of operations performed and the sequence of works. In the high-quality color unacceptable tiny grains in the paint. Paint work need different brushes, rollers, spatulas, rulers. When painting works use different colors on the composition of: adhesives, lime, oil, enamel, and others. All paints contain various binders, pigment and auxiliary substances. Value of parts in paint is not by chance, so adding some substance at random, such as solvent, instead of improving the quality of the painted surface can lead to its reduction. Typically, paint is sold as a finished product. If you want to dilute it, add to only the most necessary amount of solvent, otherwise the paint will flow, especially on vertical surfaces. If the paint in the bank was covered with foil, in any case it can not stir, but caution should be cut with a knife as close to the shell banks, and remove it. If you remove the film completely fails, it is desirable to filter the paint. For this purpose, commonly used nylon stocking that covers the hole clean empty jars. There is a common system of notation paints, which are a reflection of their properties, application, operating conditions - a kind of compass in a vast sea of ??varnishes and paints. Paintwork group on mainly intended purpose and in relation to the conditions of coating paint materials are divided into groups: Weatherproof, partially weatherproof, safety, conservation, water-resistant, special, oil and petrol resistant, chemically resistant, heat resistant, electrical insulation. The classification takes into account the type of film former, which, for brevity denoted by two letters. Lacquers, enamels, primers and sealers are available based on different resins: polycondensation, polymerization, and natural, on the basis of cellulose ethers. Varnishes based on polycondensation resins: alkidnouretanovye - (AU) glyptal - (GF), silicones - (KO), melamine - (MLS), urea (carbamide) - (MCH), pentaphthalic - (PF), polyurethane - (SD ). Polyesters: unsaturated - (PE), saturated - (III), phenol - (PL), fenoloalkidnye - (FA), cyclohexane - (TG), epoxy - (EP), epoksiefirnye - (FE), etriftalevye - (ET). Coating materials based on polymerized resins: rubber - (CN), oil - and alkidnostirolnye - (MS), petroleum - (NP), perchlorovinyl - (HV), polyacrylate - (AK), polivinilatsetalnye - (VL), polyvinyl acetate - (BA ). On the basis of copolymers: vinyl acetate - (BC), vinyl chloride - (CH), Teflon - (PT). Varnishes based on natural resins: Bitumen - (BT), rosin - (CF), oil - (MA), shellachnye - (SHL), amber - (JAN). Coating materials based on cellulose ethers: atsetobutirattsellyuloznye - (AB), cellulose acetate - (AC), nitrattsellyuloznye - (NC), etiltsellyuloznye - (EC). Marking paints paints and varnishes are assigned to each name and designation, consisting of letters and numbers. Marking paints consists of four pigmented materials - of the five groups of characters. The first group refers to the paint material and written word - varnish, paint, zmal, primer, putty. The second group specifies the type of film-forming substance, designated by two letters mentioned above - MA, FS, ML, etc. (enamel MLS ...; lacquer PF ...). The third group indicates the advantageous conditions of exploitation of paint material, identified by a single digit from 1 to 9. Between the second and third groups of characters hyphen (enamel ML-1 .., lacquer PF-2 ...). The fourth group - the ordinal number assigned to paint materials in its design, denoted by a meaningful one, two or three digits (ML-1110 enamel, lacquer PF-283). The fifth group (for pigmented materials) specifies the color of the paint material - enamel paints, primers, sealers - a complete word (enamel ML-P 1.0 gray-white). With the designation of the first group of signs for oil paints, containing in the structure only one pigment, instead of the word "paint", name the pigment, such as "minium", "Mummy," "protection", etc. (Minium of MA-15). For a number of materials between the first and second group of signs put indices: B - without volatile solvent B - for water-based HP - for water dispersion OD - for organodispersionnyh P - for powder A third group of characters for the primers and semi-finished varnishes designate a single zero (primer GF-021) , and for fillings - two zeros (Filler PF-002). After the hyphen before the third group of signs for oil paints gustotertyh put a zero (minium MA-Q15). For coating materials obtained in the mixed film former, a second group of characters to denote the film-forming, which determines the properties of the material. In the fourth group of characters for oil-based paints instead of the ordinal numbers put the figure pointing at a drying oil paint is made: natural linseed oil, linseed oil "Oksol" glyptal linseed oil, linseed oil pentaphthalic combined drying oil. In some cases, to clarify the specific properties of the paint after the serial number put the alphabetic code in the form of one or two capital letters, for example: In the - high viscosity, M - Matte, H - with a filler; PM - semi-matt; PG - low flammability, etc . All necessary for a consumer paint to the information contained on the label, which gives the full name of the material indicating the State Standard or specification, its purpose, method of application, precautions, manufacturer, manufacturing date and batch number. The label is a very important part of the packaging material of paint. Not always valid claim to the bank necessarily was made of lithographed metal. Colorful, made on good paper label in the artistic and aesthetic sense is not inferior to lithography. Entering the sale of imported paints and varnishes for the most part equipped with a paper label. It is important that it be clear, readable text, the necessary warning signs and markers. Decoration of labels may carry additional information to help in promoting products. The label should be clean and undamaged. Consumers are entitled to demand an exchange package, if the label on it is damaged. When choosing paint, first of all need to come from how persistent the operation should be covering, consider it a decorative look and do not forget about the cost. Differences paint colors for interiors and exteriors vary in resistance to rain, sun and temperature variations. Paints, which are designed for outdoor use, if necessary can be used for interior decoration. The choice of a paint depends on what type of facilities needed to produce the finish - a simple, enhanced, or high. Paints on mineral binders are designed for easy finishing stone, concrete and plastered walls for painting swimming pools, wells and fences. They give a loose breathable coating well withstand the effect of water, particularly cement-based paint, and changes in temperature. Glue paints trim plastered, concrete and wood surfaces, and casein are suitable for both exterior and for interior works. Paints on dextrin, starch, and bone glue can be painted with only the walls and ceilings indoors. An important advantage of adhesive paints is their porosity: coverage of them do not interfere with air exchange through them easily evaporates moisture, which can be formed on a damp wall or ceiling. The best are paint and enamel on synthetic binders or drying oil, used for high quality finishing. Among them there are suitable for both exterior and for interior works, and intended only for internal works. They can give matte, glossy and semi-gloss coating. Some of them form a continuous coating (eg, alkyd), others (such as water-based) - porous. Paint, which form a continuous coating, are unsuitable for wet or damp walls, and alkyd also not resistant to alkali, and therefore they can not be painted svezheoshtukaturennye or concreted walls. Oil paint on properties close to the paint on synthetic resins. They form a non-porous coating is not resistant to alkalis and moisture. Painter's Tools Makhov brush. Produced mostly large - d 60 and 65 mm with the long hair of 100 mm. To choose a good brush, you should check it on the fold - bending the hair must be straightened immediately, leaving no visible curvature. Brush in the shape of the beam, requiring a special binding, called the weight, the brush holder with a handle - stick. Weighted wrist after a garter strong string pushed onto the long stick-pin. Any brush tied, because long hair is bad to feather the paint and creates a lot of streaks. Therefore, painters, professionals believe that to glue stains nepodvyazanny hair should be 7-9 cm in length, for oil and enamel - 5-7 cm Pobelochnye brushes have a width of 200 mm, thickness - 45-60 mm, length of hair - 100 mm. These brushes in 2,5 times more productive than primaries, and give a more pure color. Sometimes used instead of pobelochnoy brush - ceiling brushes that are made from poluhrebtovoy bristle with 50% horse hair. In shape they are round (diameter of 120 and 170 mm, with long bristles 94 -100 mm) or rectangular. Handle ceiling brushes mounted in the middle of the shoe or is removable with screws. Ceiling brushes perform work with ladders or on the floor. Ceiling brushes and brush pobelochnye recommended for glue and casein paint. Paint, brushes made pobelochnymi or ceiling brushes do not require fleytsevaniya. Towels. Are small and sit down to a short wooden handle. They are made of pure bristle, and with the addition of horsehair. Produced towels d - 26, 30, 35, 40, 45, 50, 54 mm. Towels tied with string, which, when worn brushes, move, increasing the length of hair. The length of the remaining hair should be no more than 30-40 mm. Towels are used for painting the glue and oil paints small areas. Towels of soft bristles, fixed in metal rings, suitable for any work. If the bristles are fastened with glue, then brush should not be used for coloring glue and lime paint formulations. Fleytsy - flat brush width 25, 60, 62, 76 and 100 mm, made of high quality bristle or badger hair, set out in the metal frame that fits over a short wooden handle. Fleytsy used primarily for smoothing the freshly applied paint that is to destroy traces of the centrifugal brush or handbrake. Fleytsy can also be used for coloring. Trimming are rectangular and made of hard bristles. Their primary function - processing New painted surface. Facing applied evenly strikes, smoothing uneven paint. Typically, the ends of glue and oil paint. Filenochnye brush produced d from 6 to 18 mm and are made from white stiff bristles clamped in a metal-rimmed cartridge. Chucks are mounted on wooden handles of varying lengths. These brushes are designed for pulling narrow strips, called panels, or for painting hard to reach places, which does not pass the handbrake. For painting radiators produced special radiator brush with a curved handle at the base. For many indicators rollers much easier and more productive hands. In particular, when painting large areas. In addition, the rollers can not just paint, but primed. Depending on the works produced are used rollers of various sizes: diameters from 4 to 7 cm in length from 10 to 25 cm are most commonly used fur, foam mats and cushions. In preparation for the work of fur cushion for a little while to sink in the water - this will decrease the stiffness of hair covering. However, be aware that fur cushion is not recommended when working with lime colors - lime very quickly destroys the fur. Upon completion of the work rolls necessarily washed in warm soapy water, completely removing the paint. When the technology of painting works need to have on hand a variety of supporting materials: plaster to seal cracks and fix defects in the surface, the solution for the repair of plaster or flyuatirovaniya stains and plaque on the surface of masonry chimneys, degreasing, adhesive for closing the sites are not subject to color, and etc. A single-layer coating does not provide sufficient protection to the base, so you need to consistently apply a few coats of paint, each of which performs its functions. The lower layer is used for multi-layer coating adhesion to the base. Nakryvochnyh layer, the final paintwork, protect lower layers from external influences and performs a decorative function. If oil paint applied in a single layer, the surface is wrinkled, and over time it will crack. The number of layers depends on the type of paint, the required quality of surface and form the base. Adhesive paint is applied in two coats, latex - in three, and some gloss varnish - in six or more layers. Each successive layer should contain more pigment and less binder. For example, an emulsion of primers greatly diluted with water, and for nakryvochnyh layer is not diluted. Before proceeding to the painting, it is necessary to prepare the ground. The surface should be cleaned of dirt, rust, grease, and in addition, dried (this is especially true for wood surfaces). If the pores of wood will be water, there will not penetrate the paint. She will lie on the surface, and then fall off. If the wood surface is dry and moist inside, when heated by sunlight and other impacts of water vapor pressure will be lower on the colorful cover and rip it. To get a quality paint coating is not necessary to paint with low or too high temperatures, as well as in the sun, in the draft, in fog and light rain. During painting operations temperature must be below 5 C. The brush when painting held a slight slope to the surface. In paint it dipped, dipping not completely, but only a quarter of the length of hair, excess paint from the brush was removed on the edge of banks. Initially, the paint is applied to the face, the corners and inaccessible places and only later on smooth surfaces. When the surface to above the head, often dripping paint on the handle of the brush. To prevent this from happening, you can take an old rubber ball, cut it in half and one-half of the cuff handle brush. To the ball does not come off with a stick under it strengthens the gum. If there is no ball on the handle worn glassine range 5-7 cm in diameter when cleaning the ceiling, if it had not been painted, first of all remove the old Anew. Anew small can blur the hot water using a brush and rags, and fat needed to scrape with a scraper when dry. You can pre-moisten it with hot water using a brush, and after 40 minutes remove with a scraper or spatula. Scraper or a spatula at an angle to the surface and lightly pressing the tool moving forward remove the layer of Anew. Likewise removing spray solution, layering of paint and other contaminants. Cracks in the ceiling and walls must first expand and then grease the appropriate staff. Of bedding produce a spatula, closing up with this not only embroidered with cracks, but also sinks and troughs, which are on the surface. After drying, place grease and grind podgruntovyvayut. Although the kinds of painting in recent times is a growing application of paint roller or by spraying guns in the home, yet enjoy the brush. Brush must prepare - promyat it between your fingers and blow. For painting, you can use flat and round brushes. Size round brush selected depending on the nature of the substrate or object, but also on the density of coating materials. In the new round brush to shorten the length of the hair by a garter, otherwise it will spray paint. The length of loose hair - about 30-40 cm paint is applied evenly, first movement in one direction and then perpendicular to it, good shading until then, until the whole surface is not exactly painted. Recent movement in the brush on horizontal surfaces carry along their long sides, the vertical top down, and if painted, wooden surface, then in the direction of growth rings of wood. If the paint on the varnish, the last layer of smooth lightly brush in a perpendicular direction. To smooth out best to take the hair brush. Large areas in the painting should be divided into several small, limited seams or straps. This takes into account the type of paint material. Door leaf drying oil paint can be dyed all at once. If an oil enamel paint room, it is best to apply paint on the lower surface. When painting vertical surfaces of the paint must be carefully shaded so that it did not flow down and does not form streaks. Paint runs down some time after its application, so do not take too much liquid paint or apply it thickly. If you painted a complex relief surface with different grooves, you should remember that they should not be applied too much paint because it will drain, wrinkles and poor surface to dry. To obtain a smooth surface to the edge, you can use self-adhesive tape, affixed to a pre-beaten off with a cord or a plumb line. To wet paint rollers require a flat metal box with longitudinal walls in the form of a trapezoid. In the box set a sieve with a mesh size of 10-20 mm, which carry dipped in the paint roller to remove excess and evenly distribute the paint around the perimeter of the cushion. Work is done that way. On the surface area of ??about 1 m2 of paint applied to 4.3 band, after which the band rolled with a roller pressed paint in the horizontal direction (with a slight slope cushion) until such time until the paint is not uniformly distributed on the surface. If you want to limit the painted surface, its edges are close thick paper or stick with adhesive tape. In the method of spray paint has some advantages, especially if painted with greater uniformity, does not overlap the surface. Coating materials of all types in this way are applied quickly and evenly. For painting hard to reach surfaces, this method is also useful, such as the inner parts of central heating radiators. In the process of spraying tiny ink particles fall on the surface, are connected with one another and form a uniform layer. When applied in such a way to close down all surrounding surfaces, which are not color, so you do not spend time and energy on cleaning. For this purpose, suitable adhesive tape, which can be attached paper or film. To obtain a smooth surface to the edge, you can use self-adhesive tape, affixed to a pre-beaten off with a cord or a plumb line. Once the liquid level falls, the capacity to fill, or after the intake air compressor throws uncontrollable amount of paint. When handling a sponge creates a soft mottled pattern. And the light tone of the lower layer (background) will look like streaks of uncertain shape. Paint should not be a pure-white, it should be slightly tinted, which will give a more subtle effect. If you want to get more contrast solution necessary to put a dark picture of matt emulsion paint - to get the original flickering pattern. Application of paint can brighten up a sponge, or, conversely, utemnit tone. For the background and the runup to choose harmoniously combined shades of a single color or complementary colors of equal intensity. Tightly applied, without significant gaps picture gives the impression of intensely colored surfaces. In turn, the color and tone of the basic background may influence the intensity of the figure, the damage on top of it. Treatment of sponge is suitable for almost any surface, but it is most effective on large planes, such as on walls. Interestingly, this method is indispensable for masking is not very attractive items, such as radiators. As for the core layer, and for decorative deposited on top of it, apply undiluted emulsion paint for walls and myaslyanuyu paint - for the wooden parts and metal parts. For these works use natural sea sponge structure which has the largest number of voids. If the resulting pattern is repeated on the wall, becoming a regular, you need to break the sponge and continue her inner most uneven surface. For drawing a pattern with a sponge, paint a darker tone, designed for the application of a pattern with a sponge, you need to pan and stir well. Pre-needed cushion sponge - soak it in water, if to paint emulsion, and at the use of oil paint - in white spirit. Squeeze the sponge and then dip it in paint and pressed against the fluted sloping compartment tray to paint permeated the entire sponge. After this it is necessary to remove excess paint from the sponge using light, staccato touches the paper: when oversaturated sponge drawing can get with blots or even blurred. Movement should start from top to bottom. Work light, abrupt touch does not rotate or push the sponge is strong. Hand position with the sponge should be changed so as to avoid a regular, repeating pattern. When the sponge becomes dry land, you can work the corners and along baseboards are involuntarily must press in it, and the real danger of squeezing out excess paint. First, the surface should be handled with rare, are not completely closed lower, the basic tone pattern and leave to dry. The washed sponge, then apply a second layer, overlapping the first so that they merged into the overall design. When the second coat dries, you need a light touch up Kohler separately identifiable spots. You can apply a background color or "ivory", which will soften the overall picture. To handle bar wall is necessary to prepare the glaze by mixing 70% lacquer, 20% of oil paint and 10% of white spirit and then apply the composition of the basic tone stripe width of 500 mm from the top down. While the glaze is not yet dry, brush on it to put the dotted dash quick and sure movement. Then continue processing until the entire surface is not covered by a prime. To hide the joints, it is necessary overlap the neighboring lane. If treated in this way the surface will continue to need washing over it to apply a coat of matte polyurethane varnish. Color bar gives a more elegant design than treatment with a sponge. Usually it is performed on uncured varnish or glaze and creates a spectacular surface, spotted with points through which shine through the background. Tone and color for line art is selected on the same principle as when handling a sponge. Suppose that the background is a lighter shade, to form like the color of smoke, but for a stroke a darker tone: it is better to reveal the figure. There's also the reverse combination. Apply a line drawing can be on any surface, but it looks particularly impressive on the walls of small rooms, the doors and furniture. To handle bar is better to apply undiluted emulsion or oil paint (according to the material surface). For a barcode on nezasohshey glaze can only use oil paint. Special brushes designed for this work are made of badger hair, but almost any flat brush (even a new shoe) can be used, provided that the bristles on it the same length. The technology of drawing line art: to cast a small amount of paint the lightest color scheme in a tray or flat dish (a layer of not less than 3 mm), omit the dry brush in the paint, lightly touching its surface, the bristles are not absorbed too much of it. Treatment should be started from the top down, making jerky movements brush and changing its angle of position on the plane wall. To enhance the image, you need to apply another layer (light pressure on the brush) to achieve greater contrast. When you see blobs should cut them a touch of ground soil. At the end of the work needed to fill the corners, the surface around the architraves and skirting close to an almost dry brush, applying the first layer of caramel roll forward. Treatment with tissue, this method produces a more distinct pattern than treatment with a sponge or brush. There are several ways you can implement it. Application of paint with crumpled tissue flap (similar to the processing of a sponge) defines a clear picture. Removing paint or lamination bundle give a softer and uncertain pattern, but these methods require more skill. Prints that look like folded petals, receive the application or, conversely, removing the paint using a piece of cloth. All these methods are carried out using fresh solution glaze. As with previous methods of processing, pattern is then applied on top-down vertical bands of 500 mm. Pre-needed piece of cloth soaked in white spirit, press and crumple it in your hand or twist into a bundle (a cushion). Then lightly dip the cloth into the glaze. For printing roller to hold it with both hands and roll from top to bottom as a straight line, and in irregular, random directions. In this case, you can get a vague, confusing the picture. The flap is often needed to shake and then crumple in your hand or to change it (the flap), as soon as it is too oversaturated color. Mask the joints between the individual bands need special care. To apply the paint with the crumpled piece of tissue using emulsion or oil paint (according to the material surface). For the rolling roller or paint stripping methods should be applied only to oil paint, as for the lower, base layer, and to roll forward. Kohler to roll forward will be the main tones, so choose it should be darker than the background. Tissue way, in addition to decorating walls, or individual items of furniture, good in cases where you want to adjust the coloring of embedded hardware in the color of the walls. You can use any fabric - from muslin or cheesecloth to suede - if only it was lint and a good dye. The technology of drawing a pattern using fabric. A bit of paint needed to pee in the tray with a flat bottom. When dipping into the emulsion dry cloth gives a clear, tough image. If it's a little wet, the result will be soft prints. In the case of oil paint to soak a cloth in white spirit and then how to overcome. Before use, the fabric crumple in your hand, then dip the rag into the paint and gently press it on a sheet of paper to remove excess. Dab down or along the eaves free movements, is similar to using a sponge. Rag must often shake and then compress in hand, to avoid repeating pattern. As soon as the picture becomes less clear, the rag should be changed to fresh. At the end of the work must be corrected not completed portions of the surface. In some cases it may be caused by a second layer of caramel, but usually it does not require, as a rule, the expected effect is the first time. Depending on the type of painting and composition used for coloring paint you may need a variety of brushes, rollers, spatulas, rulers. Good quality brushes are made of pure bristle. They absorb a large number of painting, keep it inside so that the paint does not flow. Cheap, but less practical and durable brush made of bristles with the addition of about 50% of the hard horsehair. The largest in size (a bunch of hair reaches a length of 180 mm diameter - 60-65 mm) fly-brush, having a circular cross section and a long handle (1,8-2 m). They are sold ready (topknot strengthened metal ring) or as a bundle of hair that requires binding. In any case, you must check the length of the hair brush to them if necessary to tie up. After bending the brush hairs should immediately straightened, taking the previous form. Makhov conveniently brushes to paint on large surface area, such as ceiling and walls.
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